Gerd Gemünden is the Sherman Fairchild Professor of the Humanities, and Professor of German Studies, Film and Media Studies, and Comparative Literature. He studied German, English and Philosophy at the University of Tübingen and Comparative Literature at the University of Oregon (Ph.D. 1988). His specialties include critical theory and cultural studies, the history and theory of German cinema, global art cinema, an the study of exile, migration and diaspora. He is the author of Die hermeneutische Wende: Disziplin und Sprachlosigkeit nach 1800 (1990); Framed Visions: Popular Culture, Americanization, and the Contemporary German and Austrian Imagination (1998), and A Foreign Affair: Billy Wilder's American Films(2008 - also published in Austria as Filmemacher mit Akzent: Billy Wilder in Hollywood). His volumes as editor include Wim Wenders: Einstellungen (1993); The Cinema of Wim Wenders (1997); Germans and Indians: Fantasies, Encounters, Projections (2002); Dietrich Icon (2007); and Culture in the Anteroom: The Legacies of Siegfried Kracauer (2012); as well as special issues of New German Critique on the director Rainer Werner Fassbinder and on Film and Exile. He serves on the editorial board of New German Critique and Film Criticism and is co-editor (with Johannes von Moltke '89) of the series "Screen Cultures" for Camden House.